- I've liked Chris Cosentino since I first saw him on the first season of The Next Iron Chef, but I have loved him on this show. Tonight's Critics' Table was edited to lead us to believe he was going home, so I was intensely relieved to see him advance to the final. Not only has he consistently put out food I wanted to eat all season, but it was clear he was by far the best, most committed, most caring teacher of the three... which observation matches the judgment of the viewing audience, according to the viewers' poll.
- The fact that Cosentino obviously liked her was the only reason I was sorry to see Patricia Yeo go last week. Early on, I liked her feistiness and thought her food looked interesting, but in the later episodes, her behavior toward fellow competitor Lorena Garcia increasingly turned me off. I hate the sexist term catty, but it's hard to avoid the word when Yeo actually made aggressive meowing noises at Garcia more than once. These are all high-level professional chefs, and one of the nice things about Masters is that they usually treat each other with respect. Yeo, not so much.
- Speaking of Garcia... Taco Bell? Seriously?
Showing posts with label Top Chef. Show all posts
Showing posts with label Top Chef. Show all posts
Thursday, September 20, 2012
TV Quick Takes: Top Chef Masters (Spoilers)
Tonight I watched what the cable guide blurb hypereloquently called the penultimate episode of Top Chef Masters Season 4, featuring an elimination challenge in which the final 3 chefs mentored teams of high school culinary students through the preparation of dishes they themselves couldn't even touch. I've been enjoying this season of Masters, which has finally come into its own and no longer strikes me as a knockoff placeholder for the Top Chef mothership, but since I haven't been blogging here much until recently, I haven't had a chance to express myself about it. Just a few quick observations, as we await the finale:
Sunday, September 16, 2012
Dining Out: Fancy Burgers
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| The Lovely Bride© texting the Brilliant Daughter™ from the patio at Max Burger |
Max Burger, part of the Hartford/Springfield area Max Restaurant Group empire, is one such place. The menu includes non-burger entrees, entree salads, and sandwiches, as well as a number of "burgers" that stretch the definition of the term, but the stars of the show are just what you'd expect: 8 oz. patties of ground sustainably raised Angus beef topped with a variety of cheeses, bacons, onions, greens, and condiments. Over a number of recent visits, we've sampled the Alfred, Inside Out, Blackjack, and Miss Daisy burgers, as well as several of the rotating list of daily "Chalkboard Burgers," and have never been disappointed.
One of my pet peeves about gourmet burgers has to do with the tendency to so load them with toppings, condiments, and sauces that it becomes impossible to actually eat them as burgers. That has never happened to me at Max: The burgers are a real handful, and each mouthful is a real mouthful, but I've never had to resort to knife and fork. Burger, handcut fries, house-made pickle slices... if I didn't need the napkin, I'd never have to unwrap the flatware setup. And that, friends, is how it should be, no matter how fancy your burger gets.
Aside from the whole eating with your hands thing, Max Burger is in all other respects a true fine dining experience, offering appetizers and desserts and a full bar, including signature cocktails and a nice (and ever changing) list of craft and local beers. Rumor has it they also serve wine, though you couldn't prove it by me, philistine that I am.
Another recent fancy burger experience was distinctly different: While moving the Brilliant Daughter into her new grad school digs, we had occasion to check out Top Chef alum Spike Mendelsohn's burger joint, Good Stuff Eatery, in its Crystal City, Virginia, incarnation. Where Max Burger's model is fine dining, Good Stuff's is pure burger joint: Order at the counter; pick up your burger and fries in a paper bag; stop off to serve your own fountain drink, condiments, and dipping sauces; and find your own damn table. You might as well be at Arby's... and that goes for the prices, too.
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| Prez Obama Burger cooking at Good Stuff Eatery |
I'll let you know what I learn.
Thursday, January 12, 2012
Food TV: Top Chef: Texas "Restaurant Wars"
OK, to begin with, why, oh why, in the suffering world did the geniuses at Top Chef decide to make this season's Restaurant Wars a "battle of the sexes" (or "boys versus girls," if you prefer the cheftestants' own cutesieness to the producers' war metaphor)? And why did the "boys" (Chris, actually) have to make it worse by immediately calling the "girls" catty (not that the women didn't seem to be doing their best to embody that invidious stereotype)?
To the show's (very minimal) credit, they didn't go on to pound on any masculine versus feminine tropes in discussing the decor, service, or food... but that's small comfort. The most charitable interpretation is that they ended up at RW time with an even split between the sexes, and just thought it would be "fun" to pick the teams that way... but even that points out that sex-based segregation remains a (sadly) socially acceptable trope well after separating people in other ways has become taboo: Would Top Chef have considered, even for a second, putting Ed, Paul, and Bev on one team and calling it Asians vs. Whites? Of course they wouldn't... but somehow they can still pull the trigger on a Battle of the Sexes. Grrrrr.....
Beyond that disappointment, I found the episode a bit perplexing: Both restaurants were appealingly decorated (I liked Canteen a bit better, though I think the open kitchen was a bad idea for a one-night popup restaurant), and their menus seemed like I would enjoy them, as well. Even though both had problems with service, what we saw of the judges' and guests' dining experience seemed mostly positive, with Canteen having an edge on the overall dining experience, Half Bushel having an edge on food, and Padma declaring that the judges had a tough choice.
So I was surprised to find that, at Judges' Table, the competition didn't seem to be close, and the critical comments were so much harsher than they seemed in the event. Did the diners' survey data come out different than they expected? Did the judges' positions harden with time (and I must say that the consecutive-nights format seems to give whoever goes second an advantage, especially since they got to dine in their opponents' restaurant)? Or did the producers simply edit the in situ comments to make the contest look closer than it ever really was, for the sake of preserving the suspense?
In any case, I was happy that Beverly won, and less happy that her team did, and for the same reason: I thought her teammates abused Bev, basically treating her like a sous chef or less instead of a colleague and teammate. I had thought the bullying would stop once Heather (who seemed to have a particularly personal beef with Bev) was eliminated, but apparently not. Bev doesn't appear to be the best cook in the group, and who knows, maybe there really is something lacking in her work ethic... but I find myself rooting for her, both because I fell in love with Korean food years ago when I lived in Seoul (so how could I not love a contestant whose cast bio says if she were a food, she "would be kimchi since it is funky, spicy and addictive which matches [her] eccentric, yet soulful personality."), but also because I think she's been treated awfully, which gives her story the underdog appeal. Amazingly, after celebrating their victory with approximately 12.72 seconds of hugging, the Half Bushel team went right back to glares and recriminations. Lindsay (did she really mention having been prom queen as an example of how driven she is?!?) seemed visibly pissed that Bev had won; she scares me just a little.
I've been rooting for Ed, too (though his attitude has tested my patience at times), so I was glad he (seemingly) "won" among the chefs on the losing team. He did, however, fall into what I'm beginning to see as a universal cooking show trap: Giving your dish a name it doesn't live up to. Based on the comments, his dessert may have been the single best dish at either restaurant, but because he called it Almond Joy, he got more rips for not enough coconut than compliments for how good everything else was about it. IIRC, one of the judges (Emeril?) even said that the name was the only thing wrong with that dish.
The other dessert (along with an apparently passive effort) seemed like it would send Chris "Let Me Mention Moto One More Time" Jones home, but Tom Colicchio was obviously in his corner, resulting in the departure of Ty-Lor Boring (can that possibly be the name his momma gave him?)... or at least his short trip to Last Chance Kitchen (which I haven't watched yet... shhh; no spoilers!)
[Edited to correct a misattribution.]
To the show's (very minimal) credit, they didn't go on to pound on any masculine versus feminine tropes in discussing the decor, service, or food... but that's small comfort. The most charitable interpretation is that they ended up at RW time with an even split between the sexes, and just thought it would be "fun" to pick the teams that way... but even that points out that sex-based segregation remains a (sadly) socially acceptable trope well after separating people in other ways has become taboo: Would Top Chef have considered, even for a second, putting Ed, Paul, and Bev on one team and calling it Asians vs. Whites? Of course they wouldn't... but somehow they can still pull the trigger on a Battle of the Sexes. Grrrrr.....
Beyond that disappointment, I found the episode a bit perplexing: Both restaurants were appealingly decorated (I liked Canteen a bit better, though I think the open kitchen was a bad idea for a one-night popup restaurant), and their menus seemed like I would enjoy them, as well. Even though both had problems with service, what we saw of the judges' and guests' dining experience seemed mostly positive, with Canteen having an edge on the overall dining experience, Half Bushel having an edge on food, and Padma declaring that the judges had a tough choice.
So I was surprised to find that, at Judges' Table, the competition didn't seem to be close, and the critical comments were so much harsher than they seemed in the event. Did the diners' survey data come out different than they expected? Did the judges' positions harden with time (and I must say that the consecutive-nights format seems to give whoever goes second an advantage, especially since they got to dine in their opponents' restaurant)? Or did the producers simply edit the in situ comments to make the contest look closer than it ever really was, for the sake of preserving the suspense?
In any case, I was happy that Beverly won, and less happy that her team did, and for the same reason: I thought her teammates abused Bev, basically treating her like a sous chef or less instead of a colleague and teammate. I had thought the bullying would stop once Heather (who seemed to have a particularly personal beef with Bev) was eliminated, but apparently not. Bev doesn't appear to be the best cook in the group, and who knows, maybe there really is something lacking in her work ethic... but I find myself rooting for her, both because I fell in love with Korean food years ago when I lived in Seoul (so how could I not love a contestant whose cast bio says if she were a food, she "would be kimchi since it is funky, spicy and addictive which matches [her] eccentric, yet soulful personality."), but also because I think she's been treated awfully, which gives her story the underdog appeal. Amazingly, after celebrating their victory with approximately 12.72 seconds of hugging, the Half Bushel team went right back to glares and recriminations. Lindsay (did she really mention having been prom queen as an example of how driven she is?!?) seemed visibly pissed that Bev had won; she scares me just a little.
I've been rooting for Ed, too (though his attitude has tested my patience at times), so I was glad he (seemingly) "won" among the chefs on the losing team. He did, however, fall into what I'm beginning to see as a universal cooking show trap: Giving your dish a name it doesn't live up to. Based on the comments, his dessert may have been the single best dish at either restaurant, but because he called it Almond Joy, he got more rips for not enough coconut than compliments for how good everything else was about it. IIRC, one of the judges (Emeril?) even said that the name was the only thing wrong with that dish.
The other dessert (along with an apparently passive effort) seemed like it would send Chris "Let Me Mention Moto One More Time" Jones home, but Tom Colicchio was obviously in his corner, resulting in the departure of Ty-Lor Boring (can that possibly be the name his momma gave him?)... or at least his short trip to Last Chance Kitchen (which I haven't watched yet... shhh; no spoilers!)
[Edited to correct a misattribution.]
Wednesday, January 19, 2011
Appreciation of Craft
I planned to post about cocktails tonight, and I'll certainly get to that later, but I'm in the middle of watching Top Chef: All Stars and I just had to stop and write about tonight's episode... and more specifically, about the Quickfire Challenge, which took place in the kitchen of Le Bernardin, Eric Ripert's great (or so I've read, and really, who the hell am I to question it?) seafood restaurant.
The guest/guest judge was ace fish prep chef Justo Thomas, the star of my favorite chapter of Anthony Bourdain's Medium Raw... and perhaps the favorite thing I've ever read about food or cooking. I alluded to this chapter in my very first post here. It occurs to me that the reason I so love cooking "reality" shows is not just that I love food, but that I love craft, and I'm in awe of great craftspersons.
Bourdain clearly does, too: Beneath his crusty, punky cynicism is this: His most loving prose was left for this man, far from the glamour of the great restaurant, who is simply the best there is, in every way he can think of to be, at the humble but essential task of reducing up to 1,000 lb of fish per day into the perfect portions... the perfectly formed materials with which his fellow chefs will make their art.
The All Stars acquitted themselves well, both those who managed to cut their fish acceptably and those who humbly admitted they couldn't (you should pardon the expression) hack it. And the four finalists made dishes I wish I could've tasted... ironically, from the heads, bones, and other "waste" parts of the fish they'd just butchered. First craft, then art. What's not to love?
The guest/guest judge was ace fish prep chef Justo Thomas, the star of my favorite chapter of Anthony Bourdain's Medium Raw... and perhaps the favorite thing I've ever read about food or cooking. I alluded to this chapter in my very first post here. It occurs to me that the reason I so love cooking "reality" shows is not just that I love food, but that I love craft, and I'm in awe of great craftspersons.
Bourdain clearly does, too: Beneath his crusty, punky cynicism is this: His most loving prose was left for this man, far from the glamour of the great restaurant, who is simply the best there is, in every way he can think of to be, at the humble but essential task of reducing up to 1,000 lb of fish per day into the perfect portions... the perfectly formed materials with which his fellow chefs will make their art.
The All Stars acquitted themselves well, both those who managed to cut their fish acceptably and those who humbly admitted they couldn't (you should pardon the expression) hack it. And the four finalists made dishes I wish I could've tasted... ironically, from the heads, bones, and other "waste" parts of the fish they'd just butchered. First craft, then art. What's not to love?
Wednesday, November 17, 2010
Are Pastry Chefs Getting Their Just Desserts?
I have a meeting this evening, so I'll probably have to watch tonight's Top Chef: Just Desserts Season 1 finale via the magic of DVR. Before it even starts, though, allow me one small rant?
If I were a pastry chef, I think I'd be more than a little bit ticked off at the way the profession has been represented during the Just Desserts inaugural season: Surely dessert chefs can't really be as petulant, flakey (no pun intended), mentally unstable, and emotionally fragile as this crowd has consistently been, starting with the multi-episode emotional implosion that ended with Seth Caro leaving the show in an ambulance and continuing through various chefs' teary moments, the agonies of the Heathers, and finalist Morgan's spot-on impression of a middle-school bully, which reached its apex last week at Judges' Table when he responded to Zac's admittedly unprovoked attack with borderline homophobic (to this viewer's ears, anyway) comments about Zac "jumping around like a little girl." By contrast, Danielle's face-pulling weirdness and Yigit's buttoned-down snark seem positively refreshing.
I suppose the producers think drama is what the viewers care about, but I don't think so: What I care about is the food, and the craft that goes into making it. There's drama enough anyway; I would've like to see from these dessert chefs the same sort of tough-minded, serious approach to the food that we typically get from their counterparts on the Top Chef mothership.
All that said, though, I will be watching.
If I were a pastry chef, I think I'd be more than a little bit ticked off at the way the profession has been represented during the Just Desserts inaugural season: Surely dessert chefs can't really be as petulant, flakey (no pun intended), mentally unstable, and emotionally fragile as this crowd has consistently been, starting with the multi-episode emotional implosion that ended with Seth Caro leaving the show in an ambulance and continuing through various chefs' teary moments, the agonies of the Heathers, and finalist Morgan's spot-on impression of a middle-school bully, which reached its apex last week at Judges' Table when he responded to Zac's admittedly unprovoked attack with borderline homophobic (to this viewer's ears, anyway) comments about Zac "jumping around like a little girl." By contrast, Danielle's face-pulling weirdness and Yigit's buttoned-down snark seem positively refreshing.
I suppose the producers think drama is what the viewers care about, but I don't think so: What I care about is the food, and the craft that goes into making it. There's drama enough anyway; I would've like to see from these dessert chefs the same sort of tough-minded, serious approach to the food that we typically get from their counterparts on the Top Chef mothership.
All that said, though, I will be watching.
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